La
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Sharon Maguire
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年轻的母亲(Michelle Williams 饰)和拆弹专家的丈夫、4岁的儿子(Sidney Johnston 饰)幸福生活在一起,但一场灾难摧毁了这个小家庭。父亲在和儿子现场观看阿森纳足球的比赛时,球场遭到恐怖袭击,发生剧烈爆炸,而年轻的母亲目睹了这一切。 和她有过一夜之情报社记者加斯帕•布莱克(Ewan McGregor 饰)潜心寻找当天的线索,终于在录像中发现了爆炸的制造者,同时也得知这起事件早已为政府预知。年轻母亲按加斯帕提供的资料找到恐怖分子的遗孀和儿子,她在男孩身上得到了心灵的慰籍。 真相总然残酷,而生活仍在继续。是继续活在回忆中,还是勇敢面对未来……
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伊莎贝尔·科赛特
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年过六旬的David(本·金斯利 Ben Kingsley 饰)是本地颇有声望的文化评论员,在电视节目上的谈笑风生让他魅力无穷。同时身为大学教授的他在课堂作业评分前从不与女学生乱搞以免被控性骚扰。David对感情自命不羁,现今生活的密友是20年前的女学生。不过自从他遇见24岁的Consuela(佩内洛普·克鲁兹 Penélope Cruz 饰)后情况发生了改变。他热爱她的青春与肉体所象征的意义,她就像画里完美的身体一样。但是他不敢相信他能永远拥有她,他认为总有更年轻更优秀的男子把她带走。于是Consuela每次邀请他见她的亲人和朋友时David总是拒绝,拒绝进入她的生活。当Consuela表示十分希望他出席她的毕业礼,David答应了,但最后一刻的却步让Consuela伤心欲绝。她一走两年。两年内David面对了密友的伤心、老友的离世,当Consuela再度出现在他生命里时,却带来一个更出乎意料的消息。 改编自菲利普・罗斯(美)的小说《垂死的肉身》。
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Joaquín Luis Romero Marchent
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A wagon load of convicts on their way to prison is being escorted through the mountains by a cavalry troop. They are attacked by a bandit gang, and only a sergeant, his beautiful young daughter and an assortment of seven sadistic, murderous prisoners survive, and they are left without horses or a wagon. The sergeant must find a way to get his prisoners to their destination while protecting his daughter, watching out for the still pursuing bandits and trying to determine which one of the prisoners was the man who raped and murdered his wife.
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大卫·格瑞尼
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The story appears simple on the surface, but is revealed, especially after multiple viewings, as more multi-layered and textured than Cassavetes at his best. Ostensibly it concerns a 14-year old Catholic girl, Wynne (Agutter) growing up in this post-modern wasteland, who develops a crush on her much older adoptive brother (Marshall)- a crush which perversely deepens and grows into infatuation once she starts to believe he is the local sex killer. This is in itself an idea that makes you sit up and jolt, but as the narrative develops, it continues not necessarily along a linear path but in several confusing and fascinating directions: the family's history, (detailed effectively in chilling flashback during an improvised seance) is a chequered one, and has suffered at least one major relocation and upheaval in the last ten years.
At the crux, however, it's the depiction of socialal changes that make I Start Counting so fascinating and elevate its language far beyond the confines of the standard horror film. The major subtext- that teenage girls were maturing more quickly than before, and developing full sexual and romantic appetites (even if in thought rather than deed) but were not possessed of enough discretion to make the right choices- was a step forward for a genre in which its young females had previously been portrayed as bimbo victims (Cover Girl Killer and The Night Caller spring to mind), but not one that all viewers would necessarily agree with.
But most striking of all, and possibly the most enduring image which the viewer will take away with them, is of the masterful symbolism with which director Greene invests every shot. Every inch of the Kinch family's world- their house, their walls, their TV, Agutters underwear, bedroom furniture and toys, Sutcliffe's clothes, Marshalls van, the local Catholic church, their town centre, their record shop) - is painted a bright, scintillating white- a white which, by inference, is slowly becoming smudged and corrupted with the dirt of the outside world. White also symbolises, of course, purity and innocence (two qualities Catholic schoolgirls are supposed to hold dear), and it is into this world of innocence that the ever-present red bus (a symbol of violation and penetration), conducted by the lecherous yet similarly juvenile Simon Ward, makes regular journeys. The allegory is further expanded in one scene where Agutter believes she sees the Christ figure in church weeping blood: by the time we acknowledge it, its gone, but the seed has already been planted. Rarely in a genre production has the use of colour and background been so important or effective in creating a uniformity of mood.
I Start Counting is as near-perfect an end to a decade as one could hope for, and exactly the kind of film people should be making now- which is, of course, exactly why they never will. A genre essential.
by D.R. SHIMON@lounge.moviecodec.com
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查尔斯·克莱顿
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Classic British comedy adapted from a James Thurber story about a tweed manufacturer's elderly accountant who devises a plan to save the company from an American takeover bid. The arrival of an efficiency expert from the States causes enough of a stir but, when it turns out to be a woman, the old-fashioned number cruncher declares war. Man-eating businesswoman, Angela Barrows is sent by her US company to Edinburgh to investigate export opportunities. She meets businessman Robert MacPherson en route and he persuades her to help bring his company into the 20th century. The staff, lead by Mr. Martin, have other ideas and a battle between the old and new business methods breaks out.
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Attila Szász
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Christmas 1944. Soviet soldiers invade Hungary and drag every young woman with German origins away from a small village and transport them to a Soviet labor camp where they are forced to work in the coal mines under inhuman conditions. This is where Irén, one of the Hungarian women, meets Rajmund who decides to teach her how to survive. While she is determined to return home to her little daughter and family, history and fate have a different plan: Irén and Rajmund fall in love.
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马里亚诺·利纳斯
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本片讲述了三个以字母为代号的男人的神秘冒险经历,时长245分钟,共分为18章节,以魔幻现实的手法表现出阿根廷近代历史文化的变迁,叙事方法新颖独特,长镜头摄影精湛,尽管并不属于大制作,而是小成本的独立电影,但最后的结局却给人以强烈而深刻的印象,是近些年来难得一见的阿根廷实验电影杰作。(08维也纳国际电影节)
In this adventurous experiment in storytelling, secret identities, missing persons, lost treasures, exotic beasts and desperate criminals are only a few of the elements woven into a grand tapestry of mysteries.
其他介绍:
http://www.viennale.at/en/programm/filme/2969.shtml
http://www.filmfestivalrotterdam.com/professionals/programme/film_titles_az/film.aspx?ID=b34d8c83-f2d8-4121-b71d-84b93bc7ab5c
http://www.beyondchron.org/articles/Cinequest_Wrap_Up_Historias_Extraordinarias_The_Tour_and_Esther_s_Inheritance__6700.html
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德里克·贾曼
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这是一部现代风格的戏剧,介绍了生于维也纳,在剑桥读书的哲学家Ludwig Wittgenstein (1889-1951)的生平及思想。他的主要兴趣在于研究语言的本质与极限。 电影使用最简单的黑色背景,所有的投资都用在服装、演员以及灯光上,构图就像黑暗的启蒙主义绘画。Wittgenstein以一个小男孩的形象出现,他的少年时代很压抑,银幕上他的家人都身穿罗马人的宽外袍。一系列的小场景描述了他从小时候,到第一次世界大战,再到最终在剑桥当教授和Bertrand Russell以及John Maynard Keynes合作的生平。导演Derek Jarman使用了一些戏剧小品,还有富于想象力的小花招,比如出现了火星侏儒,来表现Wittgenstein的贵族举止,犹太背景,以及同性恋倾向。
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米克·杰克逊
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本片根据自幼患有自闭症的美国动物科学家、畜牧学博士——天宝·葛兰汀(克莱尔·丹尼斯 Claire Danes饰)的个人自传改编而成,讲述天宝与众不同的成长经历。 天宝四岁时被医生诊断为自闭症,母亲尝试多种方法让天宝开口说话。为了让天宝拥有正常人的生活,妈妈忍痛送她去一间寄宿学校念书。在这里,天宝认识了开启她天赋大门的恩师卡洛克博士。在恩师的帮助下,天宝顺利考入了大学。临上大学前的暑假,天宝来到姨妈家的农场度假。自此,天宝对牲畜产生了浓厚的兴趣。在大学里天宝制作“挤压机器”来平复紧张情绪。毕业后,天宝继续从事畜牧业的研究学习,设计出大大提高屠宰率且更为人道的屠宰方式。天宝以她独有的方式去认知世界,“像牲畜一样的思考”,在自闭症研讨会上大声的讲出自己的亲身经历……
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Aleksandr Melnik
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2013年,世界政府全面废除死刑,监狱挤满了暴力与逃亡者之时,国际团体打造一个新实验称作"冰魔岛",一个位在北冰洋的偏僻小岛。在这里,所有的囚犯都是居民,没有警卫看守,犯人们必须学习生存三个月… 所有的犯人开始焦躁不安并起了纠纷,他们分成不同派系互相仇敌,在管理员丢下钥匙离开後,整座岛上无人看守,犯人们为了争夺食物大开杀戒,每个派系的囚犯建造了属於他们自己的监狱规则,在管辖范围里反抗者就是死! 伊凡乔吉维奇 - 是个杀了二十个人的连续杀人犯,他决定自行开创他们的路,但是当冬天来临,他发现他们无法活著回去,最後似乎只有一个方法可行.......
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阿尔伯特·塞拉
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《三王來朝》讲述三王来朝拜耶稣诞生的时候,但电影不是去歌颂这段故事,而是用了十分平板的手法去描述,三王更只不过是普通的人,大部份时间就是描述他们千辛万苦去寻找耶稣诞生地,及遇到的难题,而最大的难题是莫过于在山林中迷路及找路。 在近年众多新星导演之中,西班牙加泰罗尼亚导演Albert Serra算是较具争议性的一人。因为他的电影是如此简约,甚至可说是简陋,即使有不少人大力推崇 (如法国的 “电影笔记” 便曾把导演上一部 “Honour of the Knights” (唐吉诃德) [2006] 选为2007年最佳电影第七位),但也有人质疑他只是趁着当下慢板长镜头当道的艺术电影潮流故弄玄虚,制作出件件国王的新衣。
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温子仁
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在高中担任教师的乔什·莱姆波特(帕特里克·威尔森 Patrick Wilson 饰)和身为自由音乐人的妻子兰娜(罗丝·拜恩 Rose Byrne 饰)拥有一个幸福的五口之家。然而自他们乔迁新居之后,恐慌和不安便尾随而至。尚在襁褓中的女儿凯莉经常莫名大哭,次子福斯特(Andrew Astor 饰)对卧室充满恐惧,而长子达尔顿(Ty Simpkins 饰)更在一次惊吓过后陷入长久的昏迷之中。在此之后,各种奇怪恐怖的事件接连发生。莱姆波特夫妇不胜其扰,精神几近崩溃,他们最终决定搬离这个不祥之地。 但是一切并未就此结束,侵扰他们的魔鬼似乎尾随莱姆波特一家来至新的住所,更扬言要占据达尔顿的身体……
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奥利维耶·特雷内
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阿德里安(Grégoire Leprince-Ringuet 饰)是一个学习钢琴已有15年之久的天才钢琴家,可是在梦寐以求的伯恩斯坦钢琴大赛上他功败垂成,人生跌落谷底。经过一段时间调整,阿德里安重新振作,成为了一名盲人钢琴调音师。事实上他只是带上了隐形眼镜,这会让别人认为他听觉方面更加敏锐,并由此得到更多的同情和消费,甚至还会窥视到别人的生活与隐私,他兀自沉浸在这种虽处闹市又仿佛置身世外的超然之中。某天,他来到一户人家工作,殊不知这里刚刚发生一起凶案…… 本片荣获2011年卢纹(Leuven)国际电影节最佳短片奖、2012年法国恺撒奖最佳短片奖。
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米凯尔·萨洛门
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改编自Michael Crichton的同名畅销小说。 此片是斯科特兄弟重导2008年的电视剧而成的迷你剧。 犹他州的皮德蒙特小镇,一对男女情侣正在山上约会,突然一颗人造卫星掉落。好奇的两人将卫星带回小镇,却不知道也将可怕的遭难带回了小镇。突然间小镇上爆发了可怕的病毒, 人们纷纷不明原因地死去。为防止病毒扩散到其他城市,军队封锁了小镇,并派出了代号为“仙女座”的科学队前去查明病源。队员包括:传染病学家Jeremy(本杰明·布拉特BenjaminBratt 饰)、外空生物学家Angela(克里斯塔·米勒 Christa Miller 饰)、微生物学家Tsi(金大贤 饰)、病理学家Charlene(维奥拉·戴维斯 ViolaDavis 饰)。同时,一个名叫Jack(艾瑞克·麦克马奇EricMcCormack 饰)的记者似乎也在探寻着不可告人的秘密……
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Anurag Basu
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J(赫里尼克•罗斯汉 Hrithik Roshan 饰)做梦都想过上有钱人的生活,然而命运总是跟他开玩笑。在拉斯维加斯打拼的他在最潦倒的时候,甚至会和那些想拿到美国绿卡的女人假结婚,赚取一定的佣金。但是他却差点儿错过主动投怀送抱的富家千金GINA(康格娜•拉瑙特 Kangana Ranaut 饰)。GINA的父亲BOB是拉斯维加斯最大赌场的老板,JAY得知后,最终凭借自己出色的舞技赢得了BOB一家的赏识。本来自此便可以飞黄腾达的他,在BOB家意外遇到与他假结婚的LINDA(芭芭拉•默瑞 Bárbara Mori 饰),此时,LINDA已经准备嫁给GINA的哥哥TONY了。在相处中,J和LINDA暗中互生情愫,并最终打伤TONY私奔。然而,TONY并没有打算轻易放过他们,不仅诬陷他们丢走了赌场巨额钱财,而且动用了所有力量对他们进行围剿……






























